Working with Sara was a jump into freeing the body. I began to understand more about my body as an acting tool. What it means, when its locked, how to free it and how to understand the energies working within all of us. My imagination was trained in a very short period of time and now I have became very intuitive using it. All together working with Sara was an amazing experience. I'm still working with her technique and using it for my work on the set, for my preparation, and regular training as well
Denise Ankel, Actress
Berlin, Germany
Cifarelli Talent Consulting
Sara's work always reconnects me with my body in a way that I had forgotten was possible… She creates a working atmosphere of trust and allowance that helps explore the complete range of emotional experiences.
Working with her helped me release old habits of dealing with highly emotional situations and to be more available to my partner and the scene. Releasing tensions and increasing body awareness is a key point for the presence of an actor. Only in knowing yourself is one able to interpret others and Sara provides a path for that. I am thankful for having been introduced to this work.
Uwe Mayer, Actor
Actors Space, Berlin
uwemayer.info
Sara's teaching enabled me to embrace sides of myself that I often rejected or that I would have classified as 'bad'. Her classes enabled me to access these energies in an an empowering form that helped me not only to connect to my full self but also to portray characters in a rich, strong and multi dimensional way.
Esther Kerbler, Actress
New York City
The Actors Studio
When I came to Sara´s class, I was stuck. I knew intellectually what good acting was and I thought quite proudly, that I was pretty damn good already. I had not yet tasted the wine of real freedom in truthful, emotional behavior on a stage or on film – or it had happened rather accidentally "on a good day". I had already become one of those "in-the-head" actors with deep and strong patterns internalized, physically, mentally and emotionally. I would probably have never ever made a breakthrough in developing as an actor, if Sara Fay George had not put the most tremendous amount of work, passion, love, and patience into working with me . I for sure was a hard nut to crack. But she stuck with me, never giving me up, until those apples fell from the tree and I could make my first, tasty apple pie!
All I can say is, joining Sara´s movement class is one of the best things, that ever happened to me in my life and I will be forever grateful to her for what it did for me!"
Alexander Fynn
Actors Space, Berlin
Agentur Red Carpet Actors
Sara's work is very challenging but through that I have crossed many boundaries, physically and mentally, that I would have never crossed on my own. The work with the diverse energies, different chakras, movement and contact between yourself and others helps you grow on two levels: as an actor and as an individual. It helps you to accept yourself as you are. This was the very first time any teacher has shown or taught me how to find and release energy and emotion at will. The work with Sara makes a very strong a actor: an actor who can stand their ground, who can react to their partner truthfully, and be in the moment.
Judith Shoemaker, Actress
Berlin, Germany
Fritz Kirchhoff Schule
Denise Ankel, Actress
Berlin, Germany
Cifarelli Talent Consulting
Sara's work always reconnects me with my body in a way that I had forgotten was possible… She creates a working atmosphere of trust and allowance that helps explore the complete range of emotional experiences.
Working with her helped me release old habits of dealing with highly emotional situations and to be more available to my partner and the scene. Releasing tensions and increasing body awareness is a key point for the presence of an actor. Only in knowing yourself is one able to interpret others and Sara provides a path for that. I am thankful for having been introduced to this work.
Uwe Mayer, Actor
Actors Space, Berlin
uwemayer.info
Sara's teaching enabled me to embrace sides of myself that I often rejected or that I would have classified as 'bad'. Her classes enabled me to access these energies in an an empowering form that helped me not only to connect to my full self but also to portray characters in a rich, strong and multi dimensional way.
Esther Kerbler, Actress
New York City
The Actors Studio
When I came to Sara´s class, I was stuck. I knew intellectually what good acting was and I thought quite proudly, that I was pretty damn good already. I had not yet tasted the wine of real freedom in truthful, emotional behavior on a stage or on film – or it had happened rather accidentally "on a good day". I had already become one of those "in-the-head" actors with deep and strong patterns internalized, physically, mentally and emotionally. I would probably have never ever made a breakthrough in developing as an actor, if Sara Fay George had not put the most tremendous amount of work, passion, love, and patience into working with me . I for sure was a hard nut to crack. But she stuck with me, never giving me up, until those apples fell from the tree and I could make my first, tasty apple pie!
All I can say is, joining Sara´s movement class is one of the best things, that ever happened to me in my life and I will be forever grateful to her for what it did for me!"
Alexander Fynn
Actors Space, Berlin
Agentur Red Carpet Actors
Sara's work is very challenging but through that I have crossed many boundaries, physically and mentally, that I would have never crossed on my own. The work with the diverse energies, different chakras, movement and contact between yourself and others helps you grow on two levels: as an actor and as an individual. It helps you to accept yourself as you are. This was the very first time any teacher has shown or taught me how to find and release energy and emotion at will. The work with Sara makes a very strong a actor: an actor who can stand their ground, who can react to their partner truthfully, and be in the moment.
Judith Shoemaker, Actress
Berlin, Germany
Fritz Kirchhoff Schule
